Friday, March 19, 2010

Samsara (2001)

Samsara is a Ladaki film shot in the mountains of Tibet by an Indian director named Nalin Pan (You must read his biography sometime here). Its a powerful, thought provoking and visually beautiful film questioning the spirtual value of 'detachment'.

The movie begins with a band of Buddhist monks going to the caves to rescue and revive Tashi - who has been meditating for 3 years continuously, cut away from the world, in a state of trance. Tashi is really weak when the other monks find him, but has mastered equanimity, and has transcended notions of physical pain. They take Tashi to their monastery. Here comes the interesting part, I really loved the way of life portrayed in the monastery...slow, simple, calm...but full of life...I have never seen monks shown laughing and having fun;their loud, childlike laughter is heart warming; their everyday practise of compassion shown is refreshing and genuine. Tashi while convalescing realises, that he has sexual needs,and therefore manifests and meets the beautiful Pema. Tashi argues with his master in monastery that he hasn't experienced life in its entirety.
"Even the Buddha left everything only after experiencing its worldly offers, then why should we renounce everything just since we are kids"
And leaves the monastery to live a worldly life..the rest of the story is about how he falls in love, builds a family, does business, development of attachment towards everything worldly and his journey thereon...

A very interesting thing to notice in this world is how grey different characters are portrayed. Its as if they belong to a different plane of evolution, A plane above the rest, that is.Not flawless, but more capable of understanding non - violence and the concept of 'letting go' than most collectives. Pema's jealous lover gives her up on his own when he realises that she does not love him, but Tashi instead. Pema knowingly lets her husband make love to another woman understanding his desires, again without much ado; The landlord has much to lose, hates Tashi, but does not attack the angry Tashi back and says 
"You think I burnt your field? No one does such a thing here.Grow up!"

At a time of his lowest phase, Tashi wants to renounce everything and leaves his wife and son in the middle of the night...Pema questions if he is trying to escape or if he has really conquered his desires?? The movie makes you think about detachment,and if it can really be enforced? By trying to escape from our daily duties, lives and mundaneness, do we delude ourselves into believing that we attain detachment? And ultimately
What is more important? Satisfying a thousand desires or conquering just one?

This is one of the movies that has given me so much to think about, provided relatable characters with depth & flaws and very intelligently questions and counter questions assumptions we make about spirituality through Tashi's journey.Very rare, in books or in movies do we find human characters like us detailed, searching for things that we all search for with the same intensity, confusion and angst. Without any miracles that rescue or teachers who appear to show the way, just leaving the two protagonists by themselves to find answers

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